Wednesday, 7 August 2013
Book Finally Finished
Just finished putting my book together, finally. Over 15,000 words written. Included 13 of my images. All about my first year doing the HND. Unfortunately the cost I think would be prohibitive to offer for sale as it would be £70. Shame. I will be doing another though in the future which will be just images and all Landscapes, will keep you posted on progress of that.
Wednesday, 3 July 2013
Re Branding and Limited Edition Prints
I have decided to re-brand myself and do a re-launch in October. This will include a brand new website and hopefully an exhibition or two. While still doing the odd fine art nude work I have decided to do a lot more landscape work. As a beginning I have selected a number of my images that I am offering for sale as limited edition prints.
These are the images I have selected to offer as fine art prints. Each one comes framed and mounted with an image size of 16 x 12 inch. Printed on Ilford Galerie Gold Fibre Silk paper. Ilford has set a new standard by producing the equivalent of a classic fibre-based silver image print using inkjet technology. Ilford Galerie Gold Fibre Silk is a 310gsm inkjet paper featuring a traditional barium sulphate (baryta) base. The bartya enhances the media surface that gives the creamy whites and velvety blacks that form part of the unique look and feel of a true fibre print. The media also produces real high definition images with an extended tonal range, making it a must for exhibition-quality images ranging from vivid colour to dramatic black & white prints. Mounted with a double acid free mount and framed with a classic black frame with non reflective glass which enhances the image. The overall size including frame is 23 x 19 inch. Priced at £49.99 with a UK postage of £15 these prints are limited to a maximum of 50 and come signed and numbered with a certificate of authentication.
These are the images I have selected to offer as fine art prints. Each one comes framed and mounted with an image size of 16 x 12 inch. Printed on Ilford Galerie Gold Fibre Silk paper. Ilford has set a new standard by producing the equivalent of a classic fibre-based silver image print using inkjet technology. Ilford Galerie Gold Fibre Silk is a 310gsm inkjet paper featuring a traditional barium sulphate (baryta) base. The bartya enhances the media surface that gives the creamy whites and velvety blacks that form part of the unique look and feel of a true fibre print. The media also produces real high definition images with an extended tonal range, making it a must for exhibition-quality images ranging from vivid colour to dramatic black & white prints. Mounted with a double acid free mount and framed with a classic black frame with non reflective glass which enhances the image. The overall size including frame is 23 x 19 inch. Priced at £49.99 with a UK postage of £15 these prints are limited to a maximum of 50 and come signed and numbered with a certificate of authentication.
Wednesday, 26 June 2013
Up dates
Not blogged for a while as college has finished for the year but I have not been idle. I guess the first thing to announce is my first competition win. Wilkinson Cameras operate a monthly competition and last months theme was movement or long exposure. I decided to enter my escalator shot that I took at Central Station.
Although there were not that many entrants I am pleased to have won. Even more pleased with the £50 voucher I got as a prize.
This months theme is Architecture and I have submitted an old image that I took of Mersey Harbour Board. It is digital altered and not the best image in the world but the only architecture shot I had in my back catalogue that I felt was good enough.
Other news is that I think I am moving away from doing nudes. I have recently been looking at some of the landscapes I have done. Messed around with some of them and come to the conclusion that I like doing landscapes even more now. Wonder what other people think though.
I am looking at the scope for producing high end limited edition prints of some landscapes. I will need to produce some more work first but I quite like the start I have made.
Saturday, 27 April 2013
Busy Busy Week for College
Extremely busy week for college. Loads of work done and thought I had better share a bit of it on here.
Where to start? Guess with the fashion shoot. Part of Ed's module this semester is to do fashion. I arranged with a local designer to do some work using her designs and organised a model to come to the studio. The deal between all three was copies of the images to do as they wished. Here are my four favourites from the shoot.
Where to start? Guess with the fashion shoot. Part of Ed's module this semester is to do fashion. I arranged with a local designer to do some work using her designs and organised a model to come to the studio. The deal between all three was copies of the images to do as they wished. Here are my four favourites from the shoot.
Next thing to be completed was the Fuji Colour Of competition. This was one of those things that, in the end I decided I had bitten of more than I could chew. Eventually got it finished in time but not overly pleased with the end result.
And last but not least, I developed and printed the film version of the images I took at Keswick. Of these I am extremely pleased with my little self.
Monday, 22 April 2013
Old image
I was going through my back catalogue looking for an image when I came across another that I had taken nearly three years ago, long before I even considered doing an HND. Now bearing in mind that we have to do product photography, I thought I would cheat and throw it into the mix too. As far as I can remember, I initially wanted to try and get reflections on a picture, but do it in camera. I had seen a few images on line of models shot in a studio with a reflection done in Photoshop but always preferring to do it as much in camera as possible I thought I would look in to how it might be possible.
The vast majority of the images I had seen where low light using black backgrounds. I decided to stick with this, the main reason being that to achieve a reflection I had to essentially make a mirror. I set up the black background and on a table placed a black A2 piece of card. On top of the card I placed a sheet of glass from a picture frame and placed the bottle etc on that. The lighting was from one of my own flash heads. To get the best reflection, I knew I had to place the light above the subject and at a roughly 45 degree angle to the front.
At the time I was not planning on doing an HND so did not save any editing details. But, if memory serves there was not much other than a crop and levels and adding the writing etc.
The vast majority of the images I had seen where low light using black backgrounds. I decided to stick with this, the main reason being that to achieve a reflection I had to essentially make a mirror. I set up the black background and on a table placed a black A2 piece of card. On top of the card I placed a sheet of glass from a picture frame and placed the bottle etc on that. The lighting was from one of my own flash heads. To get the best reflection, I knew I had to place the light above the subject and at a roughly 45 degree angle to the front.
At the time I was not planning on doing an HND so did not save any editing details. But, if memory serves there was not much other than a crop and levels and adding the writing etc.
Saturday, 20 April 2013
New cameras
With the recent disasters I have had with borrowed gear and film, I decided to buy some new film cameras.
Split Filtering
The photographic paper we have been using so far in the darkroom is “multi-grade”, which has been around since the 1940’s. Before this multi-grade, paper used to come in 5 grades, each one varying in the level of contrast. A grade 1 paper would be used to ensure detail in the hi-lights is clearly visible. However, it would then have no detail in the shadow areas. A grade 5 on the other hand would do the reverse. Shadow detail would be great but the hi-lights would be blown. A grade 3 would be great for mid tones but hi-lights and shadows would be lost. These single grades of paper had just on layer and would be sensitive to blue light.
Multi-grade is made up of 3 layers with the additional layer being sensitive to green light in varying degrees. By adjusting the amount of green light you can alter the contrast of the image, this is done of course with the use of a magenta filter in the enlarger.
We can however, gain more control of the contrast with the use of split filtering process. Rather than using the built in filter on an enlarger, graded filters can be used to control and adjust the contrast. Filters come in grades that essentially mimic the old single graded papers from 0 to 5. Split filtering is where you would use two of the filters to balance and enhance the contrast of your image.
As part of the Fuji competition I had selected Fuji Neopan CN41 film to use. This was to be printed on colour paper. However, I also took some more images on the roll and took them into the darkroom to print black and white. I have to say that I was extremely disappointed in the results.
After going through the process of test strips for timings and varying levels of magenta to add some contrast the result was a rather flat image.
I think the reason for this is the design of the film. With an ISO of 400 it is however designed to be very forgiving and can be pushed or pulled anywhere between 100 and 800 without any serious loss of quality and retaining detail in the shadows and hi-lights. The downside to this is a lack of contrast and a flat image
This made these images a prime candidate to try out split filtering on.
Our first attempt was not too successful. Steve had suggested that as my first print was at a 10 second exposure, for the split filtering it needed dividing in to two. Five seconds each for the 0 grade filter and 5 grade filter. From the image left however, this came out heavily under exposed.
After a little experimentation we decided the best option was to do two separate test strips for the hi-lights and shadows. Testing for the different filters worked out much better. The image now has great tonal value through-out but also has contrast and a depth that results, essentially from a double exposure. The final settings were to use 0 grade filter for 15 seconds and then 30 seconds with the 5 grade filter.
Another image from the roll, originally printed image followed by a split filtered version.
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